Dear Reader,
It is at this point that our journey through the dehumanization of work camps must come to an end. This has been an enjoyable romp throughout a somewhat somber topic. When I started this project, I had very little clue about what I should focus on from One Day in the Life of Ivan Denisovich. I considered a few options; friendship, the Soviet Union, and the prisoners of the camp. In the end, I obvious selected to research the camps themselves, and then focus on how the camps dehumanize those who are imprisoned within them. With this spark I set about researching the manner in which these prisoners were treated, first with the Russian work camps, and second with the North Korean work camps that are currently still in use to this day. While I ended up not writing about the North Korean camps in my genres, I continued to research them after I finished my first genre piece, the quality narrative, which predictably was my hardest piece to write.
Upon finishing my project, I was rather pleased with the result. After my initial struggle with the Quality Narrative piece I moved like greased lightning through the rest of my genres, coming up with ideas in rapid succession and implementing throughout my work. All of my genre pieces concern the work camps in some manner, and discuss the dehumanization in similar ways. In my Quality Narrative, the personified Quality is shipped to a work camp in a similar manner to the way that Shukhov is taken to the camp; he returns from being a POW and is immediately imprisoned for essentially surviving the war without dying for his country. I also wrote a letter from Shukhov to his wife, who I had to create a name for as she is only referred to as his wife in the novel. In the letter, rather than “disclose” information about the camps and the people that Shukhov associate with, I described them as “REDACTED”, in order to simulate the censorship that took place in some camps. This was intended to create an effect of oppression, and thus dehumanization as well. I also described the manner in which people are dehumanized in my recipe genre, treating the prisoners as ingredients in a dish of dehumanization and maltreatment. Now, I intended to create some sort of lightheartedness in this project in order to make a change from the complete sullenness and atrocities of the work camps through my pamphlet advertising the work camps in a manner similar to the way in which children’s summer camps and workshops are advertised. Again, this was done to emphasize the dehumanization that occurs in these Soviet camps all while adding a small amount of dark humor.
The golden thread of my project is not immediately apparent when looking at my genres. In each genre that I created for this project there is mention of identification numbers, specifically Shcha - 854, Shukhov’s identification number in the novel. I chose to use this number to emphasize the dehumanization that occurs when you remove someone’s name and instead give them a number, basically labelling them as property or as an object. Overall, this was a very enlightening project, and if I were to do it again I would probably try to make more creative genre pieces.
Sincerely,
Duncan